A Transition of Styles in Ambrose Bierces the Occurence at Owl Creek Bridge
Ambrose Bierce wrote “The Occurrence at Owl Creek Bridge” during the convert of the nineteenth to twentieth seniority. During this space limit the two communication styles of extravagantism, and realism were future coincidently.
This melding of styles was a termination of the extravagant limit of communication and art future to an end, normal at realism was initiation to find popularity. “The Occurrence at Owl Creek Bridge” is a mature stance of this transition of styles as it combines elements of twain extravagantism and realism to produce a fable that can be far-fetched period peaceful believable at spaces.
While the fable is naturalized on a realistic devise, and equal set up as a ingredient of unadorned figment, it anteriorly-long takes a entire convert towards extravagantism. When Peyton is hung off the bridge normal as he is damage to his decease, the rope breaks letting him lapse into the inspire and inaugurate to abscond by swimming for his spirit.
This renewal in itself illustrates graceful extravagantism, as it is very-much unrealistic that Peyton would accept survived the application of the rope to his neck as he lapseped off the bridge. This goes on raise as he survives his dive into the inspire, releases himself of the ropes which frisk him, and then manages to swim separate to prophylactic period entity shot at by a crowd of multitude.
Finally Peyton absconds the treacheries of the floating large stream, and the chasing multitude in an idealized, and imageless mode (penny to the characteristics of extravagantism). He then runs through the copse in a furious prospect to retain separate from the multitude. After floating totally a separation Peyton makes it to a farm, as he gets closer to the real seed he realizes it is his own, and he equal sees his consort future to greet him. In what looks to be a very tender (not to notice unrealistic) result Peyton runs to lapse into his consort’s outreached battle.
However at this summit realism kicks in as Peyton is snapped tail into substance and she undeviatingly disappears. He then lapses the conclusive few feet to his decease, entity hung off the Owl Creek Bridge. This very realistic result shows the fable in the end to be penny, and that the equalts of Peyton escaping all took fix in his recollection.
This overall conception of the fable shows it to be totally surrealistic, period most of it was merely Peyton’s fancy presently anteriorly he died. But in the end “The Occurrence at Owl Creek Bridge” proved to cement elements of realism, as Peyton's decease could accept (and probably would accept) happened.